"Button Up Your Overcoat" is a popular song. The music was written by Ray Henderson, the lyrics by B.G. DeSylva and Lew Brown. The song was published in 1928, and was first performed later that same year by vocalist Ruth Etting. However, the most famous rendition of this song was recorded early in 1929 by singer Helen Kane, who was by that time at the peak of her popularity. Kane's childlike voice and Bronx dialect eventually became the inspiration for the voice of cartoon character Betty Boop (most famously using Kane's famous catchphrase Boop Boop a Doop).
From January 9, 1929 to December 21, 1929 Jack Haley and Zelma O'Neal sang "Button Up Your Overcoat" on Broadway in the musical Follow Thru. They reprised the song in the theatrical release which opened on September 27, 1930 which was also one of the first movies in Technicolor.
The composition was arranged and recorded by John Serry, Sr. with his ensemble for Dot Records (catalog #DLP-3024) for a 33 RPM vinyl recording entitled Squeeze Play in 1956.
Lo! was the third published nonfiction work of the author Charles Fort (first edition 1931). In it he details a wide range of unusual phenomena. In the final chapter of the book he proposes a new cosmology that the earth is stationary in space and surrounded by a solid shell which is (in the book's final words) ".. not unthinkably far away."
Of Fort's four books, this volume deals most frequently and scathingly with astronomy (continuing from his previous book New Lands). The book also deals extensively with other subjects, including paranormal phenomena (see parapsychology), which was explored in his first book, The Book of the Damned. Fort is widely credited to have coined the now-popular term teleportation in this book, and here he ties his previous statements on what he referred to as the Super-Sargasso Sea into his beliefs on teleportation. He would later expand this theory to include purported mental and psychic phenomena in his fourth and final book, Wild Talents.
It takes its derisive title from what he regarded as the tendency of astronomers to make positivistic, overly precise, and premature announcements of celestial events and discoveries. Fort portrays them as quack prophets, sententiously pointing towards the skies and saying "Lo!" (hence the book's title)—inaccurately, as events turn out.
Lož (pronounced [ˈloːʃ]) is a settlement in the Municipality of Loška Dolina in the Inner Carniola region of Slovenia. Originally the settlement that is now Stari Trg pri Ložu was called Lož, but in 1341 a new settlement was begun around Lož Castle and the name of the older settlement as well as its market rights were adopted by the new settlement. The older settlement began to be referred to as Stari trg (literally, 'old market town' in Slovene; German: Altenmarkt). The new settlement was granted town privileges in 1477.
There are two churches in the settlement. The church in the centre of the town is dedicated to Saints Peter and Paul. It was first mentioned in written documents dating to 1428. During Ottoman raids in the late 15th century the church was fortified and a wall was built around the town. The second church is outside the town at the cemetery and is dedicated to Saint Roch. It was built in 1635 after an oath by locals in a 1631 outbreak of bubonic plague.
Ålo is a village in Søgne municipality, Norway. It is located with the sea and nearby Mandal municipality.
Coordinates: 58°03′N 7°42′E / 58.050°N 7.700°E / 58.050; 7.700
Hit 'em (17x then to background of hook)
Hook: 2x
Hit 'em hiiiiiiiiiiiii
Hit 'em loooooooo
Verse 1:
I only drop the hotness
Don't see haters cause them suckers can't top this
Ain't nobody in da game who can stop this
When it come to wicked flow's you know I got this
Every time I drop this
I come like in a black ?
Ready to waste shit
You see them killers with me and them suckers jack quick
I put it down
Like this shit is too heavy
I let you know I'm coming, you still can't get ready
We blow a pound
Nigga fuck smoking them nickel bags
We big flossin'
All you clowns looking fag
Play crazy boy
Recline you like laz-e-boy
Fuck wit JT boy
You a see what a happen to ya
I ain't just rapping to ya, nigga it's on
I'm in dis bitch one mo gen claiming my throne
That playtime you suckers had is over with
JT Money in dis bitch
Nigga know dat shit
Hook: 4x
Hit 'em hiiiiiiiiiiiii
Hit 'em loooooooo
Verse 2:
I turn it off and on like light switches
Taking suckers out the game who ack just like bitches
I'm nice wit dis
Ain't no time for no sucker shit
You see a nigga violating better bust his dick
Got no luv for no snakes and no playa haters
Pushin' these fuck niggas buttons like they elevators
My shit too hot and I'm coming straight for yours
Fucking you up nigga like you at "The Source Awards"
Close shop, nigga don't stop playboy
? got game but I play none
Don't step out yo league into big tyme
Talking 'bout you wanna get mine
??? ??? time, nigga what
Bring the ruckus
Taking out these suckers
I keep saying that coz I mean it muthafuckers
You suckers and busters, I can see thru ya heart
You niggas scared of war
You don't want it to start
Hook: 4x
Hit 'em HIIIIIIIIIIII!
Hit 'em loooooooo
Verse 3:
Nigga, I'm taking no pity on these buster niggas and trick hoes
Stay on the grind, on the mound
Probing to git mo'
Now can you fuck wit da J?, shit no
You niggas know dat I'm gone win from the git go
So git yo-ass up out of my face
Who dat off brand nigga tryin' to get erased?
Going down baby boy
Money Man in dis bitch
Gotta problem wit dis shit
We can handle dis shit
Hook: 6x
Hit 'em HIIIIIIIIIIII!
Hit 'em loooooooo